Best Anamorphic Lenses

SIRUI 75mm T2.9 1.6X Full-Frame Anamorphic Lens Cinema Lens RF Mount

  • SIRUI 75mm full-frame anamorphic lens-1.6x squeeze factor for wider Field of view.
  • An All-Round Player-This focal length is perfect for handling both close-ups and long shots. You can either get sharp distortion-free images shooting....
  • Being a 1.6x anamorphic lens, this lens features a wide-screen aspect ratio. This squeeze factor will result in 2.4:1 aspect ratio images when using a....
  • Shooting on this lens, you will get super crisp high resolution images (ready for 8K shooting), with the subject being exceptionally sharp yet the....
  • Focal Length: 75mm | Lens Mount: RF Mount | Aperture: T16-T2.9 | Maximum Magnification: 1:10.15 (V), 1:15.66(H) | Maximum Support Frame: Full Frame |....
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SIRUI 35mm Anamorphic Lens F1.8 1.33X APS-C Cinema Lens for M4/3 Mount SR-35M

  • This brand new anamorphic pro lens achieves the field of view of a 26.3mm camera lens by widening the horizontal FOV up to 33%..
  • The 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video....
  • As users adjust the aperture, the unique light streaks and star burst will adapt to the aperture value for the optimum cinematic visual effect..
  • Eye your scenes through the lens and revive their beauty by adjusting the light setting between the F/1.8 and F/16 apertures..
  • This portable lens also excels at controlling chromatic dispersion to produce unique visual characteristics and provide sharp, high resolution images..
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SIRUI 24mm Anamorphic Lens F2.8 1.33X APS-C Camera Lens (MFT Mount)

  • The anamorphic element group in the lens squeezes the horizontal field of view 1.33 times to produce the 2.4:1 aspect ratio. As the focal length shortened to 24mm, the angle of view also gets wider, rendering an expansive horizon..
  • One of the obvious changes for the 24mm lens is reducing the minimum focusing distance to 0.6m, therefore, you don’t have to back away too much to focus the subject when shooting space is limited..
  • Not just for video use, this lens allows you to distinguish your photo from a standard 16:9 photo, with all the noticeable anamorphic elements including a spectacular 2.4:1 rectangular look, blue light streak, and oval bokeh..
  • The precision aluminum alloy enhances the strength of the lens housing. Assembling with the solid housing, the copper Aperture and Focus rings are designed with an anti-slip teeth surface for smooth, comfortable focus and light adjustment..
  • The high-class Schott glass lens elements with Nano-coating can suppress aberration and vignette, rendering excellent resolution and sharpness to a cinematic image..
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SmallRig 1.55XT Anamorphic Lens/Phone Cinematic Filmmaking Lens for iPhone 14 13 12 11 and Android, 2.76:1 Widescreen Ratio Imaging and Blue Flares Lens - 3578

  • ... phone cage 3561 3562 3604 3607 3746 3747 3745 3176/ phone case/lens clip with M mount and compatible with most mobile phone (for iPhone 14 13 12 11 Series, for Samsung Galaxy S21、22, for HUAWEI P40、P50 series, Xiaomi 12 series )and tablet (for iPad Pro(2021)/ Air 5/ mini6, etc)..
  • 【With Magnetic Design】The anamorphic lens and mount employ a split design, and precise 4-point magnetic alignment which is convenient for accurate and rapid adjustment of the lens direction..
  • 【Classic Look】 Brand-new design integrates the tradition of Panavision Anamorphic lens, and classic color matching combines retro lens elements to create a unique visual experience..
  • 【High-quality Aluminum Alloy Materials】The main body is made of anodized aluminum alloy, which is sturdy and durable, compact and lightweight. It is a video creation tool easy to carry around, and also suitable for shooting with a stabilizer 3111 2791 3609 3155 3384B, and the movie-level scene is instantly presented..
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Panasonic LUMIX GH5S Body 4K Digital Camera, 10.2 Megapixel Mirrorless Camera with High-Sensitivity MOS Sensor, C4K/4K UHD 4:2:2 10-Bit, 3.2-Inch LCD, DC-GH5S (Black)

  • PROFESSIONAL PHOTO AND VIDEO PERFORMANCE: 10.2-megapixel Micro Four Thirds sensor and a significantly higher photoreceptive surface per pixel deliver an ultra-wide dynamic range.
  • Dual Native ISO provides ultra-sensitive video capture with impressively low noise.
  • RUGGED SPLASH or FREEZEPROOF DESIGN: Durable magnesium alloy body withstands heavy use out in the field and is freezeproof down to -10-degrees.
  • Splash/dustproof construction with weather sealing on every joint, dial and button.
  • UNLIMITED IN-CAMERA RECORDING OF C4K: Capable of internal SD card capture of 60p50p 8-bit, 30p25p24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p25p24p 4:2:2 10-bit.
  • ANAMORPHIC VIDEO MODE: 4K Anamorphic professional video production interchangeable lens camera system enables high performance, durability and mobility.
  • CONNECTIVITY AND PORTS: TC In or Out or Synchro Terminal (via included BNC cable), 3.5mm mic jack with line input, 3.5mm headphone jack, 2.5mm remote socket, HDMI Type A Socket and USB-C 3.1 Socket.
  • Available twin SD Card slots (UHS-II U3 compatible).
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Let's Do It Again

  • Multiple Formats, Anamorphic, Black & White.
  • English (Subtitled), English (Original Language), English (Unknown).
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Guess Who's Coming to Dinner (40th Anniversary Edition)

  • Multiple Formats, Anamorphic, Color, NTSC, Subtitled, Widescreen.
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Terminator Genisys

  • Alan Gordon Enterprises Mark Vb Director's Viewfinder - Snap-on Lens Cap - Neck Lanyard - Soft Case - Original Box.
  • Smooth zooming from wide angle to telephoto. Focal lengths are viewed in windowslocated on the barrel of the viewfinder.
  • The zoom range for the various formats is as follows:.
  • 16mm film: 8.5-100mm Super 16 film: 10.5-125mm 35mm film: 18-200mm 35 Anamorphic film: 35-420mm 2/3" video: 8.5-75mm.
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The Sacred Veil

  • Alan Gordon Enterprises Mark Vb Director's Viewfinder - Snap-on Lens Cap - Neck Lanyard - Soft Case - Original Box.
  • Smooth zooming from wide angle to telephoto. Focal lengths are viewed in windowslocated on the barrel of the viewfinder.
  • The zoom range for the various formats is as follows:.
  • 16mm film: 8.5-100mm Super 16 film: 10.5-125mm 35mm film: 18-200mm 35 Anamorphic film: 35-420mm 2/3" video: 8.5-75mm.
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