Best Balanced Unbalanced

EMB Professional Sound System EB731EQ Graphic Equalizer/Limiter

Innovative technologies: a sophisticated technology, applications for various long-term maintenance-free performance. magnetic isolation transformer,....
Input Interlace: 1 / 4 inch TRS. XLR sockets (two feet for the hot side is the female head), and terminal strips Type: Electric balanced / unbalanced,....
> 40dB. typically» 55dB. 1KHz Output interface: 1/4 inch TRS. XLR sockets (two feet for the heat is end. each head), and terminal strips Type:....
CMRR 18d8u. balanced / unbalanced (connected 6000 load) Bandwidth: 20Hz-20KHz. +05 dB/-1Db Frequency response dynamic range: I09d8 115d8 SNR: 90dB....
Range (concealed): Select ± 6dB or ± 15dB fader upgrade/Attenuation Range / LED Output Level: 4-LED indicator strip icon (green, green, yellow, red)....

Gain / attenuation value can be chosen as + /-6dB or + /-l5dB. Input gain control is a block of step 41 rotary potentiometers. With EQ selection key.....
Technical parameters: Bandwidth: 20Hz-20kHz. +0. 5d8/-1Db Dynamic range: 109dB 115dB / SNR: 90dB 97dB / Total harmonic distortion + noise: .
Enter Interface: 1 / 4 inch TRS. XLR sockets (two feet for the hot working side, female), and terminal strips / Type: Electric balanced / unbalanced,....
Export interface: 1/4 inch TRS. XL sockets (two feet for the hot working side, Female), and terminal strips/ type: Impedance balanced/ unbalanced, RF....

Eliminates 60 Hz Ground Loops * Silences Unbalanced Cable Buzz and Hum * Can Be Used as DI Box.
Preserves Signal Integrity * Converts Balanced and Unbalanced Signals * Works with 1/4" and XLR Connectors.
+4 dBu or -10 dBv * Fully Passive Design * No External Power Required.

The 351 is a single-channel, 31-band, 1/3-octave graphic equalizer with many features: constant Q circuitry with a 3% center frequency accuracy, 20mm center detent sliders, selectable boost/cut range of 6dB or 12dB, active balanced and unbalanced input and output connections, adjustable high-pass filter, adjustable low-pass filter, variable input level control, clip level indicators, ground lift switch, internal power supply, and selectable line voltage switch.
The ART 351 Single Channel 31-Band Equalizer features a rugged all-steel chassis that occupies a single 19" rackspace.

...4-channel stereo headphone distribution amplifier. Four independent 1/4" stereo headphone channels. Individual volume control on each headphone channel. Two balanced 1/4" input connectors. Stereo 1/8" Aux input and output. Master Mute and Mono-summing switches. Specifications: Inputs: 2 x 1/4" balanced, stereo 1/8" unbalanced TRS. Outputs: 4 x stereo 1/4" unbalanced, stereo 1/8" unbalanced TRS.
Controls: Master volume, master Mute, master Mono, 4 x Channel volume. Noise Floor: -114dBu, 22k BW unweighted. Maximum Output: 8.3 dBu, 1% THD+N, loaded 16R. Dynamic Range: 22dB, 22k BW. Frequency Response: 17Hz47kHz (-3dB). Power: 15VDC adapter..

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter.
45W LF plus 25W HF bi-amp system for high-performance 70W power amplification.
ROOM CONTROL and HIGH TRIM response controls, XLR and TRS phone jack inputs accept balanced or unbalanced signalsDescriptionThe HS5 Powered Studio Monitor from Yamaha is a bi-amplified monitor that is designed for accurate sound reproduction. It is capable of up to 70W of total output and features a 5-inch woofer and a 1-inch tweeter with waveguide that can produce frequencies up to 30kHz. The HS5 has both an XLR and 1/4 TRS input that accept either balanced or unbalanced signals for integration into a variety of studio setups. Low Resonance Enclosure Design HS Series cabinets are designed to eliminate unwanted resonance and increase the accuracy of sound reproduction to their extreme limit. The enclosures are constructed from a dense MDF with a damped acoustic response. HS Series engineers also employed a traditional three-way mitered-joint technique. Common to architectural design, this construction firmly anchors the corners of the enclosure to improve durability and eliminate unwanted resonance that can influence overall sound N....

BALANCED XLR male to 3.5mm stereo TRS cable is commonly used on a cell phone, MP3 player, tablet, laptop, or any 3.5mm audio output to a mixing console or powered speakers..
This is a balanced cable, the tip and ring have continuity with pins 2 and 3 respectively. This is NOT an unbalanced Mono cable, nor is it a stereo cable. this cable carries an unbalanced stereo signal into balanced mono input. NOTE: It would work fine for a mono balanced 1/8 line to xlr, if it works at a stereo source to the mono mic input, there requires some sort of summer/transformer or a balance receiver and transmitter..
20 AWG 4N Oxygen Free Copper with shielding ensure high fidelity sound quality and provide maximum conductivity and signal clarity.great choice for music lover.
With Heavy Duty 24K Gold-plated XLR and 3.5 mm connectors, it could eliminate signal loss and static noise,provide durability and improve the signal transmission, and the copper shell blocks any interference which prevents the loss of sound quality.
Heavy Duty Flexible Rubber and Nylon Braid Jacket Protect Your Cable, the outer diameter of the cable is 6.0mm(0.24 inch),Top quality and made by environment-friendly material, Polyethylene insulation improves high frequency response,strong, flexible and dur....

Balanced XLR, balanced phone jack and unbalanced RCA jack inputs for versatile connectivity..
High and Low tone controls for sound tailoring.

Two channels of balanced line level analog output.
Adjustable signal level: +18dBu / +4dBu / 0dBu/ 0dBV /-10dBV (through Dante Controller).
Frequency Response: 20Hz to 20kHz (-/+0.5dB).
Impedance: 150 Ohm balanced, 75 Ohm unbalanced.
Powered through Class 1 802.3af PoE Switch or injector.